Tremayne

Pivotel points in my modelling career include:

i) vintage hair and makeup for Fiona Tanner, who now has her own makeup line.

*(Fiona has 14+ years worth of experience in makeup artistry and 8+ in hair. She works with a loyal, hand picked selection of M.A.C. trained Hair and Makeup artists).

ii) posing for the New Zealand born, South-London based Film Stills Photographer, ‪Kerry Brown‬ (‪https://kerry-brown.com/‬).

iii) modelling for American, UK based Photographer, Courtney-Ariah Winter, whose website can be referred to here at: ‪www.bitchinhickiesbyariah.com‬

iv) posing for London based, Swedish Photographer, Tina Miguel, who hired me on behalf of newly establishing homemade accessories company, Doyenne London.

v) Aileen Au, and the Chinese Interior Designer & Musician, Pal Pang, where stills were meshed together with moving images in order to make a music video.

vi) an editorial shoot for CR Men (the male companion to the irreverent world of @crfashionbook. Founded by Carine Roitfeld. Produced by @crstudio. @carineroitfeldparis), with torso.solutions and Creative Blood.

(*hired in by Stylist, Tereza Ortiz (‪https://www.lundlund.com/tereza-ortiz/‬).

vii) working with the visiting NYC/Berlin based Photographer, Daniel Murtagh (‪http://danielmurtagh.com/‬).

*The essence of his work being ‘Presence’ , the experience of a person not merely seen, but felt. The influences of film and painting intertwined to create a feeling of time suspended.

(“As creator I am looking for an experience, as one might enter into a film and yet dictate the outcome, There is an ever present need for recognition, and access to the soul in a way that it desires to be recognized and not merely observed”).

and vii) with clothes designer, Linda Blissett, (‪https://www.blissstudiotextiles.co.uk/home1‬), and Photographer, Ivan Marsh at the Dynasty Family Empire Charity Event: Life, Fashion, Music, organised by Rochelle Melbourne, raising funds for Compton Care.

*I also am a Professional actress, who recognised the link there is with modelling, and as a result I have been encouraged to do more by a variety of stylists I have worked with.

I maintain my background in Classical Ballet and Theatrical Jazz dance at Pineapple Studios, under the direction of Choreographer, Karen Estabrook, whose own style is a fusion of Jazz, and Classical Ballet, when the music lends itself to it.

Albums

Fallen Angel